worthy of special mention among single productions is the 'Cursor Mundi'
(Surveyor of the World), an early fourteenth century poem of twenty-four
thousand lines ('Paradise Lost' has less than eleven thousand), relating
universal history from the beginning, on the basis of the Biblical
narrative. Most important of all for their promise of the future, there
were the germs of the modern drama in the form of the Church plays; but to
these we shall give special attention in a later chapter.

SECULAR LITERATURE. In secular literature the variety was greater than in
religious. We may begin by transcribing one or two of the songs, which,
though not as numerous then as in some later periods, show that the great
tradition of English secular lyric poetry reaches back from our own time to
that of the Anglo-Saxons without a break. The best known of all is the
'Cuckoo Song,' of the thirteenth century, intended to be sung in harmony by
four voices:


Sumer is icumen in;
Lhude sing, cuccu!
Groweth sed and bloweth med
And springth the wde nu.
Sing, cuccu!
Awe bleteth after lomb,
Lhouth after calve cu.
Bulluc sterteth, bucke verteth;
Murie sing, cuccu!
Cuccu, cuccu,
Wel singes thu, cuccu;
Ne swik thu never nu.