Justice McKenna (1971), Charles H. Woodbury's "The Bark" (3692), and
Waldo Murray's portrait of "Robert Fowler" (366), wrongly catalogued
with the International section. All these painters won gold medals. This
is perhaps the best room in this tier.

In the tier on the western wall devoted to the minor forms of art,
Howard Pyle's illustrations occupy two small rooms, 41 and 42. The first
contains ink sketches, the second his works in characteristic color.
Room 40 is devoted to admirable miniatures and to water colors. Here on
the east wall are Jules Guerin's vividly colored Oriental scenes, which
won the gold medal. The walls of Room 39 are given up to a series of
charming pastels by John McClure Hamilton. No. 39 also contains cases of
medals, as does No. 38. Room 37 is devoted to miniatures, and 36 to
drawings.

In the section known as the "Print Rooms," 29-34, along the west wall,
are hundreds of famous etchings. This branch of art, old and respected
through the examples offered by early masters like Albrecht Durer and
Rembrandt, has still to be fully appreciated. It has come to the public
slowly, the layman who likes and buys pictures more often holding aloof
from the thing called an etching. That there is now a closer
acquaintance than before is due in large measure to Joseph Pennell.
Working through the practical, he allied his art years ago with such
subjects as bridge and railroad building, and by giving the public an
easier avenue of approach, has attracted it to the beauty of this method
of art. The print rooms show dozens of Pennell's etchings, with those of
Whistler and many others. Whistler's etchings, lithographs, and drawings
are in No. 29, Pennell's in No. 31. Room 30 holds the work of Henry
Wolf, winner of the grand prize. B. A. Wehrschmidt, an honor medallist,
is represented in Room 119. J. Andre Smith, Herman A. Webster and