Cadwallader Washburn are in Room 32, Allen Lewis and Gustav Baumann
(gold medals) are in Room 34. Room 28 holds the loan collection of
Whistler's works, already mentioned, chiefly from the National Gallery,
Washington. Room 27 contains photographic reproductions of painting and
sculpture. Room 26 is devoted to original drawings for illustration.

The Foreign Sections.--These are placed north and south of the United
States collections. In the extreme south end, Japan occupies a large
block of rooms, numbered from 1 to 10. With this abundant floor and wall
space at her disposal, that country left nothing undone to make her art
exhibit comprehensive and beautiful. The display stands alone for
completeness. Japan's art is as old as her history; and now, with her
advent among the modern nations, she has added Occidental art to her
more ancient forms. The essayal, as shown here, is still beyond her, but
the strides are noteworthy. In the wonderful display of her own art, she
shows both the beauties of antiquity and the masterpieces of her present
day artists. The paintings upon silk, landscape embroideries,
porcelains, ink drawings, metal work, and scrolls will occupy the art
lover many hours.

France adjoins Japan, filling a block of rooms from 12 to 18, and Italy
follows, in Rooms 21 to 25. The intervening rooms, Nos. 19 and 20, are
assigned respectively to Uruguay and Cuba.

The French and Italian exhibits had to wait for the arrival of the
Jason. Now they are installed, and beautifully hung and set. Though
France is the home of the Post-Impressionists, and Italy that of the
Futurists, the flagrancy of neither of these schools is on view here.
Both countries show their best balanced art since 1905. In the French
exhibit, the mode of the day prevails, color, luminosity, richness of