impure creatures in such a place? Things have changed considerably since
the days of old, for such was the contamination to be expected from the
mere presence of a woman within these walls that even the Mother of God,
while visiting Saint Nilus--the builder, not the great saint--at work
upon the foundations, often conversed with him, but never ventured to
step within the area of the building itself. And later on it was a
well-authenticated phenomenon recorded by Beltrano and others, that if a
female entered the church, the heavens immediately became cloudy and
sent down thunders and lightnings and such-like signs of celestial
disapproval, which never ceased until the offending monster had left the
premises.

From this ancient monastery comes, I fancy, the Achiropita image.
Montorio will tell you all about it; he learnt its history in June 1712
from the local archbishop, who had extracted his information out of the
episcopal archives. Concerning another of these wonder-working
idols--that of S. M. del Patirion--you may read in the ponderous tomes
of Ughelli.

Whether the celebrated Purple Codex of Rossano ever formed part of the
library of Patirion has not yet been determined. This wonderful
parchment--now preserved at Rossano--is mentioned for the first time by
Cesare Malpica, who wrote some interesting things about the Albanian and
Greek colonies in Calabria, but it was only discovered, in the right
sense of that word, in March 1879 by Gebhardt and Harnack. They
illustrated it in their _Evangeliorum Codex Graecus._ Haseloff also
described it in 1898 _(Codex Purpureus Rossanensis),_ and pointed out
that its iconographical value consists in the fact that it is the only
Greek Testament MS. containing pictures of the life of Christ before the
eighth-ninth century. These pictures are indeed marvellous--more