the orchestra, I have been most impressed by the splendid variety which
the artist had got into his picture, where the spacious frame lent
itself to his passion for saying everything; but I remembered his
thronging fancies as meagre and scanty in the presence of the stupendous
reality before me. I have, for instance, not even mentioned the sea,
which swept smoother and smoother in toward the feet of those precipices
and grew more and more trans-lucently purple and yellow and green, while
half a score of cascades shot straight down their fronts in shafts of
snowy foam, and over their pachydermatous shoulders streamed and hung
long reaches of gray vines or mosses. To the view from the sea the
island is all, with its changing capes and promontories and bays and
inlets, one immeasurable mountain; and on the afternoon of our approach
it was bestridden by a steadfast rainbow, of which we could only see one
leg indeed, but that very stout and athletic.

There were breadths of dark woodland aloft on this mountain, and
terraced vineyards lower down; and on the shelving plateaus yet farther
from the heights that lost themselves in the clouds there were scattered
white cottages; on little levels close to the sea there were set white
villas. These, as the ship coquetted with the vagaries of the shore,
thickened more and more, until after rounding a prodigious headland we
found ourselves in face of the charming little city of Funchal: long
horizontal lines of red roofs, ivory and pink and salmon walls, evenly
fenestrated, with an ancient fortress giving the modern look of things a
proper mediaeval touch. Large hotels, with the air of palaces, crowned
the upland vantages; there were bell-towers of churches, and in one
place there was a wide splotch of vivid color from the red of the
densely flowering creeper on the side of some favored house. There was
an acceptable expanse of warm brown near the quay from the withered but
unfailing leaves of a sycamore-shaded promenade, and in the fine