Confessions and Criticisms by Julian Hawthorne
page 154 of 156 (98%)
page 154 of 156 (98%)
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greater part of which is as well worth describing as those examples which
have already been touched upon; nor could a more graphic pen than mine convey an adequate impression of their excellence. But there is here a figure of the 'coon, which, as it is the only one ever modelled, ought not to be passed over in silence. In appearance this animal is a curious medley of the fox, the wolf, and the bear, besides I-know-not-what (as the lady in "Punch" would say) that belongs to none of those beasts. As may be imagined, therefore, its right portrayal involves peculiar difficulties, and Mr. Kemeys's genius is nowhere better shown than in the manner in which these have been surmounted. Compact, plump, and active in figure, quick and subtle in its movements, the 'coon crouches in a flattened position along the limb of a tree, its broad, shallow head and pointed snout a little lifted, as it gazes alertly outward and downward. It sustains itself by the clutch of its slender-clawed toes on the branch, the fore legs being spread apart, while the left hind leg is withdrawn inward, and enters smoothly into the contour of the furred side; the bushy, fox-like tail, ringed with dark and light bands, curving to the left. Thus posed and modelled in high relief on a tile-shaped plaque, Mr. Kemeys's coon forms a most desirable ornament for some wise man's sideboard or mantle-piece, where it may one day be pointed out as the only surviving representative of its species. The two most elaborate groups here have already attained some measure of publicity; the "Bison and Wolves" having been exhibited in the Paris Salon in 1878, and the "Deer and Panther" having been purchased in bronze by Mr. Winans during the sculptor's sojourn in England. Each group represents one of those deadly combats between wild beasts which are among the most terrific and at the same time most natural incidents of animal existence; and they are of especial interest as showing the artist's power of concentrated and graphic composition. A complicated story is told in both |
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