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Confessions and Criticisms by Julian Hawthorne
page 155 of 156 (99%)
these instances with a masterly economy of material and balance of
proportion; so that the spectator's eye takes in the whole subject at a
glance, and yet finds inexhaustible interest in the examination of
details, all of which contribute to the central effect without distracting
the attention. A companion piece to the "Deer and Panther" shows the same
animals as they have fallen, locked together in death after the combat is
over. In the former group, the panther, in springing upon the deer, had
impaled its neck on the deer's right antler, and had then swung round
under the latter's body, burying the claws of its right fore foot in the
ruminant's throat. In order truthfully to represent the second stage of
the encounter, therefore, it was necessary not merely to model a second
group, but to retain the elements and construction of the first group
under totally changed conditions. This is a feat of such peculiar
difficulty that I think few artists in any branch of art would venture to
attempt it; nevertheless, Mr. Kemeys has accomplished it; and the more the
two groups are studied in connection with each other, the more complete
will his success be found to have been. The man who can do this may surely
be admitted a master, whose works are open only to affirmative criticism.
For his works the most trying of all tests is their comparison with one
another; and the result of such comparison is not merely to confirm their
merit, but to illustrate and enhance it.

For my own part, my introduction to Mr. Kemeys's studio was the opening to
me of a new world, where it has been my good fortune to spend many days of
delightful and enlightening study. How far the subject of this writing may
have been already familiar to the readers of it, I have no means of
knowing; but I conceive it to be no less than my duty, as a countryman of
Mr. Kemeys's and a lover of all that is true and original in art, to pay
the tribute of my appreciation to what he has done. There is no danger of
his getting more recognition than he deserves, and he is not one whom
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