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The Renascence of Hebrew Literature (1743-1885) by Nahum Slouschz
page 25 of 209 (11%)

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An enumeration of all the writers and all the scholars who, directly or
indirectly, contributed to the work of _Ha-Meassef_, would be
wearisome. Only those who are distinguished by some degree of
originality will be set down by name.

Rabbi Solomon Pappenheim (1776-1814), of Breslau, was the author of a
sentimental elegy, _Arba' Kosot_ ("The Four Cups", Berlin, 1790).
The poem, inspired by Young's "Night Thoughts," is remarkable for its
personal note. In his plaints recalling Job's, this Hebrew Werther
mourns the loss, not of his mistress--that would not have been in
consonance with the spirit of the ghetto--but of his wife and his three
children. The elegy came near being a popular poem. Its vapid
sentimentality and its affected and exaggerated style were to exercise a
baneful influence upon the following generations. It is the tribute paid
by Hebrew literature to the diseased spirit of the age. Pappenheim
wrote, besides, on Hebrew philology. His work, _Yeri'ot Shelomoh_
("The Curtains of Solomon"), is an important contribution to the
subject.

Shalom Hacohen, the editor of a second series of _Ha-Meassef_,
published in 1809-1811 (Berlin, Altona, and Dessau), deserves mention.
He won considerable fame by his poems and articles, which appeared in
the second series of _Ha-Meassef_ and in _Bikkure ha-'Ittim_ ("The
First Fruits of the Times"), and especially through his historical
drama, "Amal and Tirzah" (Rodelheim, 1812). The last, a naively
conceived piece of work, is well fitted into its Biblical frame. Hacohen
is one of the intermediaries between the German Meassefim and their
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