Expressive Voice Culture, Including the Emerson System by Jessie Eldridge Southwick
page 10 of 35 (28%)
page 10 of 35 (28%)
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should never reach up to a tone, but should seem to alight upon it from
above, as a bird alights on the branch of a tree. The mind must never lose sight of the result--the ideal aimed at. The knowledge of processes leads us to a right conception of aims, and enables us to judge of their correctness. We should know what processes are normal (natural and healthful) and what objects of thought will induce them. While taking the above exercise no effort should be made in the throat. The voice should seem to find its way without effort. The tone should not be loud or sharp. If the student finds it difficult to produce the tone alone, some word ending in _ing_ should be practised, as _ring-ring-ring-ng_. FORMING OF ELEMENTS _First Exercise_. Start the humming tone as indicated in the first lesson, and maintain the same focus while forming certain elements. Take the syllable _n-o-m_, allowing no break while going from _n_, the nares sound, to the vowel sound of _o_, and returning to the nares sound of _m_. This is perhaps the best element to begin upon, because of its definiteness, but the same principle can be applied to other elements of speech, as _Most-men-want-poise-and-more- royal-margin_. Form each syllable with the utmost care. Concentrate the mind upon the ideal sound. First be sure that the pronunciation is accurately conceived. Then enunciate clearly and try each time to make the form more perfect. The principle of thinking is the same as that involved in striving to make a perfect circle, or to execute any figure with more and more beauty. The effort of the mind will bring the result, if the conception of the element |
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