reinforcement in the resonance chambers. Thus the quality of the voice
depends, not simply upon the condition of the vocal cords themselves, but
upon the form and quality of the resounding cavities.




CHAPTER II

Elementary Lessons.


After this brief discussion of the principles involved in this method of
practice, we will proceed to give some essential exercises for practice.


EXERCISE FOR SECURING FREEDOM OF TONE

This is the foundation of all voice culture.

1. Take position in accordance with directions given in Chapter I.

2. Take humming tone as indicated in the preceding chapter,--_m, n,
ng,_--idealized and pure. The mouth should be opened and closed without
changing the tone.

3. Endeavor to concentrate all consciousness upon the conception of a tone
emanating from the _nares anteri_ and floating in ideal forms of
vibration in the surrounding air. Those forms may vary in their definite
nature, but must always obey the principle of curves and radiation. One