The Celibates by Honoré de Balzac
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page 14 of 684 (02%)
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That person was a woman. No man would have torn himself from the comfort of a morning nap to listen to a minstrel in a jacket; none but a maid awakes to songs of love. Not only was this woman a maid, but she was an old maid. When she had opened her blinds with the furtive motion of the bat, she looked in all directions, but saw nothing, and only heard, faintly, the flying footfalls of the lad. Can there be anything more dreadful than the matutinal apparition of an ugly old maid at her window? Of all the grotesque sights which amuse the eyes of travellers in country towns, that is the most unpleasant. It is too repulsive to laugh at. This particular old maid, whose ear was so keen, was denuded of all the adventitious aids, of whatever kind, which she employed as embellishments; her false front and her collarette were lacking; she wore that horrible little bag of black silk on which old women insist on covering their skulls, and it was now revealed beneath the night-cap which had been pushed aside in sleep. This rumpled condition gave a menacing expression to the head, such as painters bestow on witches. The temples, ears, and nape of the neck, were disclosed in all their withered horror,--the wrinkles being marked in scarlet lines that contrasted with the would-be white of the bed-gown which was tied round her neck by a narrow tape. The gaping of this garment revealed a breast to be likened only to that of an old peasant woman who cares nothing about her personal ugliness. The fleshless arm was like a stick on which a bit of stuff was hung. Seen at her window, this spinster seemed tall from the length and angularity of her face, which recalled the exaggerated proportions of certain Swiss heads. The character of their countenance--the features being marked by a total want of harmony--was that of hardness in the lines, sharpness in the tones; while an unfeeling spirit, pervading all, would have filled a physiognomist with disgust. These |
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