characteristics, fully visible at this moment, were usually modified
in public by a sort of commercial smile,--a bourgeois smirk which
mimicked good-humor; so that persons meeting with this old maid might
very well take her for a kindly woman. She owned the house on shares
with her brother. The brother, by-the-bye, was sleeping so tranquilly
in his own chamber that the orchestra of the Opera-house could not
have awakened him, wonderful as its diapason is said to be.

The old maid stretched her neck out of the window, twisted it, and
raised her cold, pale-blue little eyes, with their short lashes set in
lids that were always rather swollen, to the attic window, endeavoring
to see Pierrette. Perceiving the uselessness of that attempt, she
retreated into her room with a movement like that of a tortoise which
draws in its head after protruding it from its carapace. The blinds
were then closed, and the silence of the street was unbroken except by
peasants coming in from the country, or very early persons moving
about.

When there is an old maid in a house, watch-dogs are unnecessary; not
the slightest event can occur that she does not see and comment upon
and pursue to its utmost consequences. The foregoing trifling
circumstance was therefore destined to give rise to grave
suppositions, and to open the way for one of those obscure dramas
which take place in families, and are none the less terrible because
they are secret,--if, indeed, we may apply the word "drama" to such
domestic occurrences.

Pierrette did not go back to bed. To her, Brigaut's arrival was an
immense event. During the night--that Eden of the wretched--she
escaped the vexations and fault-findings she bore during the day. Like