age and country it might have made him a saint and an ascetic.
With all his industry, and almost religious zeal for art, he is one
of the poets who make themselves, rather than are born singers.
His epic, the Franciade, is as tedious as other artificial epics,
and his odes are almost unreadable. We are never allowed to forget
that he is the poet who read the Iliad through in three days. He
is, as has been said of Le Brun, more mythological than Pindar.
His constant allusion to his grey hair, an affectation which may be
noticed in Shelley, is borrowed from Anacreon. Many of the sonnets
in which he 'petrarquizes,' retain the faded odour of the roses he
loved; and his songs have fire and melancholy and a sense as of
perfume from 'a closet long to quiet vowed, with mothed and
dropping arras hung.' Ronsard's great fame declined when is
Malherbe came to 'bind the sweet influences of the Pleiad,' but he
has been duly honoured by the newest school of French poetry.

VI. JACQUES TAHUREAU, 1527-1555. The amorous poetry of Jacques
Tahureau has the merit, rare in his, or in any age, of being the
real expression of passion. His brief life burned itself away
before he had exhausted the lyric effusion of his youth. 'Le plus
beau gentilhomme de son siecle, et le plus dextre a toutes sortes
de gentillesses,' died at the age of twenty-eight, fulfilling the
presentiment which tinges, but scarcely saddens his poetry.

VII. JEAN PASSERAT, 1534-1602. Better known as a political
satirist than as a poet.


POETS OF THE NINETEENTH CENTURY.