short, the chevalier had the privilege of superlatives. His
compliments, of which he was stingy, won the good graces of all the
old women; he made himself agreeable to every one, even to the
officials of the government, from whom he wanted nothing. His behavior
at cards had a lofty distinction which everybody noticed: he never
complained; he praised his adversaries when they lost; he did not
rebuke or teach his partners by showing them how they ought to have
played. When, in the course of a deal, those sickening dissertations
on the game would take place, the chevalier invariably drew out his
snuff-box with a gesture that was worthy of Mole, looked at the
Princess Goritza, raised the cover with dignity, shook, sifted, massed
the snuff, and gathered his pinch, so that by the time the cards were
dealt he had decorated both nostrils and replaced the princess in his
waistcoat pocket,--always on his left side. A gentleman of the "good"
century (in distinction from the "grand" century) could alone have
invented that compromise between contemptuous silence and a sarcasm
which might not have been understood. He accepted poor players and
knew how to make the best of them. His delightful equability of temper
made many persons say,--

"I do admire the Chevalier de Valois!"

His conversation, his manners, seemed bland, like his person. He
endeavored to shock neither man nor woman. Indulgent to defects both
physical and mental, he listened patiently (by the help of the
Princess Goritza) to the many dull people who related to him the petty
miseries of provincial life,--an egg ill-boiled for breakfast, coffee
with feathered cream, burlesque details about health, disturbed sleep,
dreams, visits. The chevalier could call up a languishing look, he
could take on a classic attitude to feign compassion, which made him a