The Philosophy of the Plays of Shakspere Unfolded by Delia Bacon
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the author of this book. She has given nothing less than her life to
the work. And, as if for the greater trial of her constancy, her theory was divulged, some time ago, in so partial and unsatisfactory a manner--with so exceedingly imperfect a statement of its claims--as to put her at great disadvantage before the world. A single article from her pen, purporting to be the first of a series, appeared in an American Magazine; but unexpected obstacles prevented the further publication in that form, after enough had been done to assail the prejudices of the public, but far too little to gain its sympathy. Another evil followed. An English writer (in a 'Letter to the Earl of Ellesmere,' published within a few months past) has thought it not inconsistent with the fair-play, on which his country prides itself, to take to himself this lady's theory, and favour the public with it as his own original conception, without allusion to the author's prior claim. In reference to this pamphlet, she generously says:-- 'This has not been a selfish enterprise. It is not a personal concern. It is a discovery which belongs not to an individual, and not to a people. Its fields are wide enough and rich enough for us all; and he that has no work, and whoso will, let him come and labour in them. The field is the world's; and the world's work henceforth is in it. So that it be known in its real comprehension, in its true relations to the weal of the world, what matters it? So that the truth, which is dearer than all the rest--which abides with us when all others leave us, dearest then--so that the truth, which is neither yours nor mine, but yours _and_ mine, be known, loved, honoured, emancipated, mitred, crowned, adored--_who_ loses anything, that does not find it.' 'And what matters it,' says the philosophic wisdom, speaking in the abstract, 'what name it is proclaimed in, and what letters of the alphabet we know it by?--what matter is it, so that they _spell_ the |
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