with the slow approach of utmost age; sometimes feeble, peevish,
wavering; sometimes shining out with a wisdom resulting from originally
bright faculties, ripened by experience. The character must not be
allowed to get vague, but, with gleams of romance, must yet be kept
homely and natural by little touches of his daily life.

As for Alice, I see no necessity for her being anywise related to or
connected with the old Hospitaller. As originally conceived, I think she
may be an artist--a sculptress--whom Eldredge had known in Rome. No; she
might be a granddaughter of the old Hospitaller, born and bred in
America, but who had resided two or three years in Rome in the study of
her art, and have there acquired a knowledge of the Eldredges and have
become fond of the little Italian girl his daughter. She has lodgings in
the village, and of course is often at the Hospital, and often at the
Hall; she makes busts and little statues, and is free, wild, tender,
proud, domestic, strange, natural, artistic; and has at bottom the
characteristics of the American woman, with the principles of the
strong-minded sect; and Middleton shall be continually puzzled at meeting
such a phenomenon in England. By and by, the internal influence
[evidence?] of her sentiments (though there shall be nothing to confirm
it in her manner) shall lead him to charge her with being an American.

Now, as to the arrangement of the Romance;--it begins as an integral and
essential part, with my introduction, giving a pleasant and familiar
summary of my life in the Consulate at Liverpool; the strange species of
Americans, with strange purposes, in England, whom I used to meet there;
and, especially, how my countrymen used to be put out of their senses by
the idea of inheritances of English property. Then I shall particularly
instance one gentleman who called on me on first coming over; a
description of him must be given, with touches that shall puzzle the