reader to decide whether it is not an actual portrait. And then this
Romance shall be offered, half seriously, as the account of the fortunes
that he met with in his search for his hereditary home. Enough of his
ancestral story may be given to explain what is to follow in the Romance;
or perhaps this may be left to the scenes of his intercourse with the old
Hospitaller.

The Romance proper opens with Middleton's arrival at what he has reason
to think is the neighborhood of his ancestral home, and here he makes
application to the old Hospitaller. Middleton shall be described as
approaching the Hospital, which shall be pretty literally copied after
Leicester's, although the surrounding village must be on a much smaller
scale of course. Much elaborateness may be given to this portion of the
book. Middleton shall have assumed a plain dress, and shall seek to make
no acquaintances except that of the old Hospitaller; the acquaintance of
Alice naturally following. The old Hospitaller and he go together to the
old Hall, where, as they pass through the rooms, they find that the
proprietor is flitting like a ghost before them from chamber to chamber;
they catch his reflection in a glass, &c., &c. When these have been
wrought up sufficiently, shall come the scene in the wood, where Eldredge
is seen yielding to the superstition that he has inherited, respecting
the old secret of the family, on the discovery of which depends the
enforcement of his claim to a title. All this while, Middleton has
appeared in the character of a man of no note; and now, through some
political change, not necessarily told, he receives a packet addressed to
him as an ambassador, and containing a notice of his appointment to that
dignity. A paragraph in the "Times" confirms the fact, and makes it known
in the neighborhood. Middleton immediately becomes an object of
attention; the gentry call upon him; the Mayor of the neighboring
county-town invites him to dinner, which shall be described with all its