A Study of Hawthorne by George Parsons Lathrop
page 29 of 345 (08%)
page 29 of 345 (08%)
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Agonistes," howsoever diverse, are illustrations of the athletic prime
and the autumnal strength of the poet himself, rather than anywise dramatic evolutions of his themes. Bunyan, with much less faculty for any subtle discrimination of characters, also fails to give his persons individuality, though they stand very distinctly for a variety of traits: it is with Bunyan as if he had taken an average human being, and, separating his impulses, good and evil, had tried to make a new man or woman out of each; so that there is hardly life-blood enough to go round among them. Milton's creatures are in a certain way more vital, though less real. Bunyan's characters being traits, the other's are moods. Yet both groups seem to have been cast in a large, elemental mould. Now, Hawthorne is vastly more an adept than either Milton or Bunyan in keeping the creatures of his spirit separate, while maintaining amongst them the bond of a common nature; but besides this bond they are joined by another, by something which continually brings us back to the author himself. It is like a family resemblance between widely separated relatives, which suggests in the most opposite quarters the original type of feature of some strong, far-back progenitor. These characters, with far more vivid presence and clear definition than those of the other two writers, are at the same time based on large and elementary forces, like theirs. They are for the most part embodied moods, or emotions expanded to the stature of an entire human being, and made to endure unchanged for years together. Thus, while Hawthorne, as we shall see more fully further on, is essentially a dramatic genius, Bunyan a simple allegorist, and Milton an odic poet of unparalleled strength,--who, taking dramatic and epic subjects and failing to fill them, makes us blame not _his_ size and shape, but the too minute intricacies of the theme,--there is still a sort of underground connection between all three. It is curious to note, further, the relation of Milton's majestic and multitudinous speech, the |
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