Normandy, Illustrated, Part 2 by Gordon Home
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page 4 of 37 (10%)
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of the twelfth century that is shown to visitors who make the necessary
inquiries. The richness of its enamels and the elaborate ornamentation studded with imitation gems that have replaced the real ones, makes this casket almost unique. Many scenes from the life of the saint are shown in the windows of the choir of the church. They are really most interesting, and the glass is very beautiful. The south door must have been crowded with the most elaborate ornament, but the delicately carved stone-work has been hacked away and the thin pillars replaced by crude, uncarved chunks of stone. There is Norman arcading outside the north transept as well as just above the floor in the north aisle. St Taurin is a somewhat dilapidated and cob-webby church, but it is certainly one of the interesting features of Evreux. Instead of keeping on the road to Caen after reaching the end of the great avenue just mentioned, we turn towards the south and soon enter pretty pastoral scenery. The cottages are almost in every instance thatched, with ridges plastered over with a kind of cobb mud. In the cracks in this curious ridging, grass seeds and all sorts of wild flowers are soon deposited, so that upon the roof of nearly every cottage there is a luxuriant growth of grass and flowers. In some cases yellow irises alone ornament the roofs, and they frequently grow on the tops of the walls that are treated in a similar fashion. A few miles out of Evreux you pass a hamlet with a quaint little church built right upon the roadway with no churchyard or wall of any description. A few broken gravestones of quite recent date litter the narrow, dusty space between the north side of the church and the roadway. Inside there is an untidy aspect to everything, but there are some windows containing very fine thirteenth century glass which the genial old cure shows with great delight, for it is said that they were |
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