intended for the cathedral at Evreux, but by some chance remained in this
obscure hamlet. The cure also points out the damage done to the windows by
_socialistes_ at a recent date.

By the roadside towards Conches, there are magpies everywhere, punctuated
by yellow hammers and nightingales. The cottages have thatch of a very deep
brown colour over the hipped roofs, closely resembling those in the
out-of-the-way parts of Sussex. It a beautiful country, and the
delightfully situated town of Conches at the edge of its forest is well
matched with its surroundings.

In the middle of the day the inhabitants seem to entirely disappear from
the sunny street, and everything has a placid and reposeful appearance as
though the place revelled in its quaintness. Backed by the dense masses of
forest there is a sloping green where an avenue of great chestnuts tower
above the long, low roof of the timber-framed cattle shelter. On the
highest part of the hill stands the castle, whose round, central tower
shows above the trees that grow thickly on the slopes of the hill. Close to
the castle is the graceful church, and beyond are the clustered roofs of
the houses. A viaduct runs full tilt against the hill nearly beneath the
church, and then the railway pierces the hill on its way towards Bernay.
The tall spire of the church of St Foy is comparatively new, for the whole
structure was rebuilt in the fifteenth century, but its stained glass is of
exceptional interest. Its richness of colour and the interest of the
subjects indicate some unusually gifted artist, and one is not surprised to
discover that they were designed by Aldegrevers, who was trained by that
great master Albrecht Dyrer. Altogether there are twenty-one of these
beautiful windows. Seven occupy the eastern end of the apse and give scenes
taken from the life of St Foy.