beyond the pale chaos of the new district of the castle meadows,* and
between the greenery of Monte Mario and the Janiculum arose St. Peter's.
Then on the left came all the olden city, an endless stretch of roofs, a
rolling sea of edifices as far as the eye could reach. But one's glances
always came back to St. Peter's, towering into the azure with pure and
sovereign grandeur. And, seen from the terrace, the slow sunsets in the
depths of the vast sky behind the colossus were sublime.

* See /ante/ note on castle meadows.

Sometimes there are topplings of sanguineous clouds, battles of giants
hurling mountains at one another and succumbing beneath the monstrous
ruins of flaming cities. Sometimes only red streaks or fissures appear on
the surface of a sombre lake, as if a net of light has been flung to fish
the submerged orb from amidst the seaweed. Sometimes, too, there is a
rosy mist, a kind of delicate dust which falls, streaked with pearls by a
distant shower, whose curtain is drawn across the mystery of the horizon.
And sometimes there is a triumph, a /cortege/ of gold and purple chariots
of cloud rolling along a highway of fire, galleys floating upon an azure
sea, fantastic and extravagant pomps slowly sinking into the less and
less fathomable abyss of the twilight.

But that night the sublime spectacle presented itself to Pierre with a
calm, blinding, desperate grandeur. At first, just above the dome of St.
Peter's, the sun, descending in a spotless, deeply limpid sky, proved yet
so resplendent that one's eyes could not face its brightness. And in this
resplendency the dome seemed to be incandescent, you would have said a
dome of liquid silver; whilst the surrounding districts, the house-roofs
of the Borgo, were as though changed into a lake of live embers. Then, as
the sun was by degrees inclined, it lost some of its blaze, and one could