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The Three Cities Trilogy: Rome, Volume 2 by Émile Zola
page 47 of 137 (34%)
look; and soon afterwards sinking with majestic slowness it disappeared
behind the dome, which showed forth darkly blue, while the orb, now
entirely hidden, set an aureola around it, a glory like a crown of
flaming rays. And then began the dream, the dazzling symbol, the singular
illumination of the row of windows beneath the cupola which were
transpierced by the light and looked like the ruddy mouths of furnaces,
in such wise that one might have imagined the dome to be poised upon a
brazier, isolated, in the air, as though raised and upheld by the
violence of the fire. It all lasted barely three minutes. Down below the
jumbled roofs of the Borgo became steeped in violet vapour, sank into
increasing gloom, whilst from the Janiculum to Monte Mario the horizon
showed its firm black line. And it was the sky then which became all
purple and gold, displaying the infinite placidity of a supernatural
radiance above the earth which faded into nihility. Finally the last
window reflections were extinguished, the glow of the heavens departed,
and nothing remained but the vague, fading roundness of the dome of St.
Peter's amidst the all-invading night.

And, by some subtle connection of ideas, Pierre at that moment once again
saw rising before him the lofty, sad, declining figures of Cardinal
Boccanera and old Orlando. On the evening of that day when he had learnt
to know them, one after the other, both so great in the obstinacy of
their hope, they seemed to be there, erect on the horizon above their
annihilated city, on the fringe of the heavens which death apparently was
about to seize. Was everything then to crumble with them? was everything
to fade away and disappear in the falling night following upon
accomplished Time?



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