The Three Cities Trilogy: Rome, Volume 4 by Émile Zola
page 145 of 201 (72%)
page 145 of 201 (72%)
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escaped him, Sacco stole his millions, and Benedetta tortured his flesh,
stirring up that awful wound of unsatisfied passion which never would be healed. Again did Pierre hear that dull plaint, that involuntary despairing growl, which had upset him once before. And he looked at the Count, and asked him: "Are you suffering?" But on seeing how livid was the face of Prada, who only retained his calmness by a superhuman effort, he regretted his indiscreet question, which, moreover, remained unanswered. And then to put the other more at ease, the young priest went on speaking, venting the thoughts which the sight before him inspired: "Your father was right," said he, "we Frenchmen whose education is so full of the Catholic spirit, even in these days of universal doubt, we never think of Rome otherwise than as the old Rome of the popes. We scarcely know, we can scarcely understand the great changes which, year by year, have brought about the Italian Rome of the present day. Why, when I arrived here, the King and his government and the young nation working to make a great capital for itself, seemed to me of no account whatever! Yes, I dismissed all that, thought nothing of it, in my dream of resuscitating a Christian and evangelical Rome, which should assure the happiness of the world." He laughed as he spoke, pitying his own artlessness, and then pointed towards the gallery where Prince Buongiovanni was bowing to the King whilst the Princess listened to the gallant remarks of Sacco: a scene full of symbolism, the old papal aristocracy struck down, the /parvenus/ accepted, the black and white worlds so mixed together that one and all were little else than subjects, on the eve of forming but one united nation. That conciliation between the Quirinal and the Vatican which in principle was regarded as impossible, was it not in practice fatal, in |
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