The Three Cities Trilogy: Rome, Volume 4 by Émile Zola
page 146 of 201 (72%)
page 146 of 201 (72%)
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face of the evolution which went on day by day? People must go on living,
loving, and creating life throughout the ages. And the marriage of Attilio and Celia would be the symbol of the needful union: youth and love triumphing over ancient hatred, all quarrels forgotten as a handsome lad goes by, wins a lovely girl, and carries her off in his arms in order that the world may last. "Look at them!" resumed Pierre, "how handsome and young and gay both the /fiances/ are, all confidence in the future. Ah! I well understand that your King should have come here to please his minister and win one of the old Roman families over to his throne; it is good, brave, and fatherly policy. But I like to think that he has also realised the touching significance of that marriage--old Rome, in the person of that candid, loving child giving herself to young Italy, that upright, enthusiastic young man who wears his uniform so jauntily. And may their nuptials be definitive and fruitful; from them and from all the others may there arise the great nation which, now that I begin to know you, I trust you will soon become!" Amidst the tottering of his former dream of an evangelical and universal Rome, Pierre expressed these good wishes for the Eternal City's future fortune with such keen and deep emotion that Prada could not help replying: "I thank you; that wish of yours is in the heart of every good Italian." But his voice quavered, for even whilst he was looking at Celia and Attilio, who stood smiling and talking together, he saw Benedetta and Dario approach them, wearing the same joyful expression of perfect happiness. And when the two couples were united, so radiant and so triumphant, so full of superb and happy life, he no longer had strength |
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