The Cook's Decameron: a study in taste, containing over two hundred recipes for Italian dishes by Mrs. W. G. (William George) Waters
page 65 of 196 (33%)
page 65 of 196 (33%)
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it has been strained, it will develop into a perfectly clear soup
under the hands of a careful and intelligent cook. The fleeting delicate aroma which, as every gourmet will admit, gives such grateful aid to the palate, is the breath of garden herbs and of herbs alone, and here I have a charge to bring against contemporary cookery. I mean the neglect of natural in favour of manufactured flavourings. With regard to herbs, this could not always have been the rule, for I never go into an old English garden without finding there a border with all the good old-fashioned pot herbs growing lustily. I do not say that the use of herbs is unknown, for of course the best cookery is impossible without them, but I fear that sage mixed with onion is about the only one which ever tickles the palate of the great English middle-class. And simultaneously with the use of herb flavouring in soup has arisen the practice of adding wine, which to me seems a very questionable one. If wine is put in soup at all, it must be used so sparingly as to render its presence imperceptible. Why then use it at all? In some sauces wine is necessary, but in all cases it is as difficult to regulate as garlic, and requires the utmost vigilance on the part of the cook." "My last cook, who was very stout and a little middle-aged, would always use flavouring sauces from the grocer's rather than walk up to the garden, where we have a most seductive herb bed," said Mrs. Wilding; "and then, again, the love of the English for pungent-made sauces is another reason for this makeshift practice. 'Oh, a table-spoonful of somebody's sauce will do for the flavouring,' and in goes the sauce, and the flavouring is supposed to be complete. People who eat their chops, and steaks, and fish, and game, after having smothered the natural flavour with the same harsh condiment, |
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