Post-Augustan Poetry - From Seneca to Juvenal by H.E. Butler
page 14 of 466 (03%)
page 14 of 466 (03%)
![]() | ![]() |
|
What were the causes of this change? Was it due mainly to the evil
influence of the principate or to more subtle and deep-rooted causes? The principate had been denounced as the _fons et origo mali_.[1] That its influence was for evil can hardly be denied. But it was rather a symptom, an outward and visible sign of a deep-engrained decay, which it accentuated and brought to the surface, but in no way originated. We are told that the principate 'created around itself the quiet of the graveyard, since all independence was compelled under threat of death to hypocritical silence or subterfuge; servility alone was allowed to speak; the rest submitted to what was inevitable, nay, even endeavoured to accommodate their minds to it as much as possible.' Even if this highly coloured statement were true, the influence of such tyrannical suppression of free thinking and free speaking could only have _directly_ affected certain forms of literature, such as satire, recent history,[2] and political oratory, while even in these branches of literature a wide field was left over which an intending author might safely range. The _direct_ influence on poetry must have been exceedingly small. If we review the great poets of the Augustan and republican periods, we shall find little save certain epigrams of Catullus that could not safely have been produced in post-Augustan times. Moreover, when we turn to what is actually known of the attitude of the early emperors towards literature, the balance does not seriously incline against them. It may be said without hesitation of the four emperors succeeding Augustus that they had a genuine taste and some capacity for literature. Of two only is it true that their influence was in any way repressive. The principate of Tiberius is notorious for the silence of literature; whether the fact is due as much to the character of Tiberius as to the |
|