temporary exhaustion of genius following naturally on the brilliance of
the Augustan period, is more than doubtful. But Tiberius cannot be
acquitted of all blame. The cynical humour with which it pleased him to
mark the steady advance of autocracy, the _lentae maxillae_ which
Augustus attributed to his adopted son,[3] the icy and ironic cruelty
which was--on the most favourable estimate--a not inconsiderable element
in his character, no doubt all exercised a chilling influence, not only
on politics but on all spontaneous expression of human character.
Further, we find a few instances of active and cruel repression.
Lampoons against the emperor were punished with death.[4] Cremutius
Cordus was driven to suicide for styling 'Brutus and Cassius the last of
all the Romans'.[5] Mamercus Scaurus had the misfortune to write a
tragedy on the subject of Atreus in which he advised submission to
Atreus in a version of the Euripidean

[Greek: tas t_on turann_on amathias pherein chre_on][6]

He too fell a victim to the Emperor's displeasure, though the chief
charges actually brought against him were of adultery with the Princess
Livilla and practice of the black art. We hear also of another case in
which _obiectum est poetae quod in tragoedia Agamemnonem probris
lacessisset_ (Suet. _Tib_. 61). It is worthy of notice that actors also
came under Tiberius's displeasure.[7] The mime and the Atellan farce
afforded too free an opportunity for improvisation against the emperor.
Even the harmless Phaedrus seems to have incurred the anger of Sejanus,
and to have suffered thereby.[8] Nor do the few instances in which
Tiberius appears as a patron of literature fill us with great respect
for his taste. He is said to have given one Asellius Sabinus 100,000
sesterces for a dialogue between a mushroom, a finch, an oyster, and a
thrush,[9] and to have rewarded a worthless writer,[10] Clutorius