although he sits on several Royal Commissions, such as those of the
Archives of all Italy and of the monument to King Victor Emmanuel, he
has taken no university degree, and much dislikes any affectation of
academic superiority. He is ready to meet any one on equal terms and try
with them to get at the truth on any subject, be it historical,
literary, or philosophical. "Truth," he says, "is democratic," and I can
testify that the search for it, in his company, is very stimulating. As
is well said by Prezzolini, "He has a new word for all."

There can be no doubt of the great value of Croce's work as an
_educative influence_, and if we are to judge of a philosophical system
by its action on others, then we must place the _Philosophy of the
Spirit_ very high. It may be said with perfect truth that since the
death of the poet Carducci there has been no influence in Italy to
compare with that of Benedetto Croce.

His dislike of Academies and of all forms of prejudice runs parallel
with his breadth and sympathy with all forms of thought. His activity in
the present is only equalled by his reverence for the past. Naples he
loves with the blind love of the child for its parent, and he has been
of notable assistance to such Neapolitan talent as is manifested in the
works of Salvatore di Giacomo, whose best poems are written in the
dialect of Naples, or rather in a dialect of his own, which Croce had
difficulty in persuading the author always to retain. The original jet
of inspiration having been in dialect, it is clear that to amend this
inspiration at the suggestion of wiseacres at the Cafe would have been
to ruin it altogether.

Of the popularity that his system and teaching have already attained we
may judge by the fact that the _Aesthetic_[4], despite the difficulty of