Aesthetic as Science of Expression and General Linguistic by Benedetto Croce
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page 22 of 339 (06%)
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the subject, is already in its third edition in Italy, where, owing to
its influence, philosophy sells better than fiction; while the French and Germans, not to mention the Czechs, have long had translations of the earlier editions. His _Logic_ is on the point of appearing in its second edition, and I have no doubt that the _Philosophy of the Practical_ will eventually equal these works in popularity. _The importance and value of Italian thought have been too long neglected in Great Britain_. Where, as in Benedetto Croce, we get the clarity of vision of the Latin, joined to the thoroughness and erudition of the best German tradition, we have a combination of rare power and effectiveness, which can by no means be neglected. The philosopher feels that he has a great mission, which is nothing less than the leading back of thought to belief in the spirit, deserted by so many for crude empiricism and positivism. His view of philosophy is that it sums up all the higher human activities, including religion, and that in proper hands it is able to solve any problem. But there is no finality about problems: the solution of one leads to the posing of another, and so on. Man is the maker of life, and his spirit ever proceeds from a lower to a higher perfection. Connected with this view of life is Croce's dislike of "Modernism." When once a problem has been correctly solved, it is absurd to return to the same problem. Roman Catholicism cannot march with the times. It can only exist by being conservative--its only Logic is to be illogical. Therefore, Croce is opposed to Loisy and Neo-Catholicism, and supports the Encyclical against Modernism. The Catholic religion, with its great stores of myth and morality, which for many centuries was the best thing in the world, is still there for those who are unable to assimilate other food. Another instance of his dislike for Modernism is his criticism of Pascoli, whose attempts to reveal enigmas in the writings of Dante he |
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