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Aesthetic as Science of Expression and General Linguistic by Benedetto Croce
page 22 of 339 (06%)
the subject, is already in its third edition in Italy, where, owing to
its influence, philosophy sells better than fiction; while the French
and Germans, not to mention the Czechs, have long had translations of
the earlier editions. His _Logic_ is on the point of appearing in its
second edition, and I have no doubt that the _Philosophy of the
Practical_ will eventually equal these works in popularity. _The
importance and value of Italian thought have been too long neglected in
Great Britain_. Where, as in Benedetto Croce, we get the clarity of
vision of the Latin, joined to the thoroughness and erudition of the
best German tradition, we have a combination of rare power and
effectiveness, which can by no means be neglected.

The philosopher feels that he has a great mission, which is nothing less
than the leading back of thought to belief in the spirit, deserted by so
many for crude empiricism and positivism. His view of philosophy is that
it sums up all the higher human activities, including religion, and that
in proper hands it is able to solve any problem. But there is no
finality about problems: the solution of one leads to the posing of
another, and so on. Man is the maker of life, and his spirit ever
proceeds from a lower to a higher perfection. Connected with this view
of life is Croce's dislike of "Modernism." When once a problem has been
correctly solved, it is absurd to return to the same problem. Roman
Catholicism cannot march with the times. It can only exist by being
conservative--its only Logic is to be illogical. Therefore, Croce is
opposed to Loisy and Neo-Catholicism, and supports the Encyclical
against Modernism. The Catholic religion, with its great stores of myth
and morality, which for many centuries was the best thing in the world,
is still there for those who are unable to assimilate other food.
Another instance of his dislike for Modernism is his criticism of
Pascoli, whose attempts to reveal enigmas in the writings of Dante he
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