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Aesthetic as Science of Expression and General Linguistic by Benedetto Croce
page 23 of 339 (06%)
looks upon as useless. We do not, he says, read Dante in the twentieth
century for his hidden meanings, but for his revealed poetry.

I believe that Croce will one day be recognized as one of the very few
great teachers of humanity. At present he is not appreciated at nearly
his full value. One rises from a study of his philosophy with a sense of
having been all the time as it were in personal touch with the truth,
which is very far from the case after the perusal of certain other
philosophies.

Croce has been called the philosopher-poet, and if we take philosophy as
Novalis understood it, certainly Croce does belong to the poets, though
not to the formal category of those who write in verse. Croce is at any
rate a born philosopher, and as every trade tends to make its object
prosaic, so does every vocation tend to make it poetic. Yet no one has
toiled more earnestly than Croce. "Thorough" might well be his motto,
and if to-day he is admitted to be a classic without the stiffness one
connects with that term, be sure he has well merited the designation.
His name stands for the best that Italy has to give the world of
serious, stimulating thought. I know nothing to equal it elsewhere.

Secure in his strength, Croce will often introduce a joke or some
amusing illustration from contemporary life, in the midst of a most
profound and serious argument. This spirit of mirth is a sign of
superiority. He who is not sure of himself can spare no energy for the
making of mirth. Croce loves to laugh at his enemies and with his
friends. So the philosopher of Naples sits by the blue gulf and explains
the universe to those who have ears to hear. "One can philosophize
anywhere," he says--but he remains significantly at Naples.

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