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Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker. by Marcus Tullius Cicero
page 64 of 228 (28%)
not the same degree of reputation among the learned as among the populace?
If you had enquired of one of the latter, _who was the most eloquent man
in the city_, he might have hesitated whether to say _Antonius_ or
_Crassus_; or this man, perhaps, would have mentioned the one, and that
the other. But would any one have given the preference to _Philippus_,
though otherwise a smooth, a sensible, and a facetious Speaker?--that
_Philippus_ whom we, who form our judgment upon these matters by rules of
art, have decided to have been the next in merit? Nobody would, I am
certain. For it is the invariable, property of an accomplished Orator, to
be reckoned such in the opinion of the people. Though Antigenidas,
therefore, the musician, might say to his scholar, who was but coldly
received by the Public, Play on, to please me and the Muses;--I shall say
to my friend Brutus, when he mounts the Rostra, as he frequently does,--
Play to me and the people;--that those who hear him may be sensible of the
effect of his Eloquence, while I can likewise amuse myself with remarking
the causes which produce it. When a Citizen hears an able Orator, he
readily credits what is said;--he imagines every thing to be true, he
believes and relishes the force of it; and, in short, the persuasive
language of the Speaker wins his absolute, his hearty assent. You, who are
possessed of a critical knowledge of the art, what more will you require?
The listening multitude is charmed and captivated by the force of his
Eloquence, and feels a pleasure which is not to be resisted. What here can
you find to censure? The whole audience is either flushed with joy, or
overwhelmed with grief;--it smiles, or weeps,--it loves, or hates,--it
scorns or envies,--and, in short, is alternately seized with the various
emotions of pity, shame, remorse, resentment, wonder, hope, and fear,
according as it is influenced by the language, the sentiments, and the
action of the speaker. In this case, what necessity is there to await the
sanction of a critic? For here, whatever is approved by the feelings of
the people, must be equally so by men of taste and erudition: and, in this
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