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Stones of Venice [introductions] by John Ruskin
page 12 of 234 (05%)
demonstrate from such accidental evidence as the field of its inquiry
presents. And, thus far, all is natural and simple. But the stopping
short of this religious faith when it appears likely to influence
national action, correspondent as it is, and that most strikingly, with
several characteristics of the temper of our present English
legislature, is a subject, morally and politically, of the most curious
interest and complicated difficulty; one, however, which the range of my
present inquiry will not permit me to approach, and for the treatment of
which I must be content to furnish materials in the light I may be able
to throw upon the private tendencies of the Venetian character.

SECTION XI. There is, however, another most interesting feature in the
policy of Venice which will be often brought before us; and which a
Romanist would gladly assign as the reason of its irreligion; namely,
the magnificent and successful struggle which she maintained against the
temporal authority of the Church of Rome. It is true that, in a rapid
survey of her career, the eye is at first arrested by the strange drama
to which I have already alluded, closed by that ever memorable scene in
the portico of St. Mark's, [Footnote:
"In that temple porch,
(The brass is gone, the porphyry remains,)
Did BARBAROSSA fling his mantle off,
And kneeling, on his neck receive the foot
Of the proud Pontiff--thus at last consoled
For flight, disguise, and many an aguish shake
On his stony pillow."

I need hardly say whence the lines are taken: Rogers' "Italy" has, I
believe, now a place in the best beloved compartment of all libraries,
and will never be removed from it. There is more true expression of the
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