Stones of Venice [introductions] by John Ruskin
page 12 of 234 (05%)
page 12 of 234 (05%)
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demonstrate from such accidental evidence as the field of its inquiry
presents. And, thus far, all is natural and simple. But the stopping short of this religious faith when it appears likely to influence national action, correspondent as it is, and that most strikingly, with several characteristics of the temper of our present English legislature, is a subject, morally and politically, of the most curious interest and complicated difficulty; one, however, which the range of my present inquiry will not permit me to approach, and for the treatment of which I must be content to furnish materials in the light I may be able to throw upon the private tendencies of the Venetian character. SECTION XI. There is, however, another most interesting feature in the policy of Venice which will be often brought before us; and which a Romanist would gladly assign as the reason of its irreligion; namely, the magnificent and successful struggle which she maintained against the temporal authority of the Church of Rome. It is true that, in a rapid survey of her career, the eye is at first arrested by the strange drama to which I have already alluded, closed by that ever memorable scene in the portico of St. Mark's, [Footnote: "In that temple porch, (The brass is gone, the porphyry remains,) Did BARBAROSSA fling his mantle off, And kneeling, on his neck receive the foot Of the proud Pontiff--thus at last consoled For flight, disguise, and many an aguish shake On his stony pillow." I need hardly say whence the lines are taken: Rogers' "Italy" has, I believe, now a place in the best beloved compartment of all libraries, and will never be removed from it. There is more true expression of the |
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