i.e., he determined to carry out a series of works of creation. He
split the body of Tiamat into two parts; out of one half he fashioned
the dome of heaven, and out of the other he constructed the abode of
Nudimmud, or Ea, which he placed over against Apsu, i.e., the deep. He
also formulated regulations concerning the maintenance of the same. By
this "cunning plan" Marduk deprived the powers of darkness of the
opportunity of repeating their revolt with any chance of success. Having
established the framework of his new heaven and earth Marduk, acting as
the celestial architect, set to work to furnish them. In the first place
he founded E-Sharra, or the mansion of heaven, and next he set apart and
arranged proper places for the old gods of the three realms--Anu,
Bel and Ea.

[Illustration: Tablet sculptured with a scene representing the worship
of the Sun-god in the Temple of Sippar. The Sun-god is seated on a
throne within a pavilion holding in one hand a disk and bar which may
symbolize eternity. Above his head are the three symbols of the Moon,
the Sun, and the planet Venus. On a stand in front of the pavilion rests
the disk of the Sun, which is held in position by ropes grasped in the
hands of two divine beings who are supported by the roof of the
pavilion. The pavilion of the Sun-god stands on the Celestial Ocean, and
the four small disks indicate either the four cardinal points or the
tops of the pillars of the heavens. The three figures in front of the
disk represent the high priest of Shamash, the king (Nabu-aplu-iddina,
about 870 B.C.) and an attendant goddess. [No. 91,000.]]

The text of the Fifth Tablet, which would undoubtedly have supplied
details as to Marduk's arrangement and regulations for the sun, the
moon, the stars, and the Signs of the Zodiac in the heavens is wanting.
The prominence of the celestial bodies in the history of creation is not