The Dramatic Values in Plautus by William Wallace Blancke
page 50 of 104 (48%)
page 50 of 104 (48%)
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breath--I'll--answer you! You dregs of the rabble, you slave-brothel, you
'white-slave' freer, you sweat-of-the-lash, you chain gang, you king of the treadmill, ... you eat-away, steal-away run-away....!" etc.[122] Perhaps we have here the forerunner of the shrewish wife in modern vaudeville, who administers to her shrinking consort a rapid-fire tongue-lashing. Another phase of this profuse riot of words appears in the formidable Persian name that Sagaristio, disguised as a Persian, adopts in the _Per._ (700 ff.): "DORDALUS. What's your name? SAG. Listen then, and you shall hear: False-speaker-us Girl-seller-son Much-o'-nothing-talk-son Money-gouge-out-son Talk-up-to you-son Coin-wheedle-out-son What-I-once-get-son Never-give-up-son: there you are! DOR. (_With staring eyes and gasping breath._) Ye Gods! That's a variegated name of yours! SAG. (_With a superior wave of the hand._) It's the Persian fashion." The second point in this category is own cousin to the above. We should label it persistent interruption and repetition. An excellent instance is _Trin._ 582 ff., when Stasimus, Lesbonicus and Philto have just hatched a plot. Philto departs. "LES. (_To Stasimus._) You attend to my instructions. I'll be there presently. Tell Callicles to meet me. ST. Now you just clear out! (_Pushes him after Philto._) |
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