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Preface to the Works of Shakespeare (1734) by Lewis Theobald
page 36 of 70 (51%)
natural Genius; and the other a great deal to his Art and Learning.
This, if attended to, will explain a very remarkable Appearance in
their Writings. Besides those wonderful Masterpieces of Art and
Genius, which each has given Us; They are the Authors of other Works
very unworthy of them: But with this Difference; that in _Jonson_’s
bad Pieces we don’t discover one single Trace of the Author of
the _Fox_ and _Alchemist_: but in the wild extravagant Notes
of _Shakespeare_, you every now and then encounter Strains that
recognize the divine Composer. This Difference may be thus accounted
for. _Jonson_, as we said before, owing all his Excellence to his
Art, by which he sometimes strain’d himself to an uncommon Pitch,
when at other times he unbent and play’d with his Subject, having
nothing then to support him, it is no wonder he wrote so far beneath
himself. But _Sbakespeare_, indebted more largely to Nature, than
the Other to acquired Talents, in his most negligent Hours could
never so totally divest himself of his Genius, but that it would
frequently break out with astonishing Force and Splendor.

[Sidenote: His Reputation under Disadvantages.]

As I have never propos’d to dilate farther on the Character of my
Author, than was necessary to explain the Nature and Use of this
Edition, I shall proceed to consider him as a Genius in Possession
of an Everlasting Name. And how great that Merit must be, which
could gain it against all the Disadvantages of the horrid Condition
in which he has hitherto appear’d! Had _Homer_, or any other admir’d
Author, first started into Publick so, maim’d and deform’d, we
cannot determine whether they had not sunk for ever under the
Ignominy of such an ill Appearance. The mangled Condition of
_Shakespeare_ has been acknowledg’d by Mr. _Rowe_, who publish’d him
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