_neuter_.

There are some nouns of both genders, as student, writer, pupil,
person, citizen, resident. _Poet_, _author_, editor, and some other
words, have of late been applied to females, instead of poet_ess_,
author_ess_, edit_ress_. Fashion will soon preclude the necessity of
this former distinction.

Some languages determine their genders by the form of the endings of
their nouns, and what is thus made masculine in Rome, may be feminine in
France. It is owing, no doubt, to this practice, in other nations, that
we have attached the idea of gender to inanimate things; as, "the sun,
_he_ shines majestically;" while of the moon, it is said, "_she_ sheds a
milder radiance." But we can not coincide with the reason assigned by
Mr. Murray, for this distinction. His notion is not valid. It does not
correspond with facts. While in the south of Europe the sun is called
masculine and the moon feminine, the northern nations invariably reverse
the distinction, particularly the dialects of the Scandinavian. It was
so in our own language in the time of Shakspeare. He calls the sun a
"_fair wench_."

By figures of rhetoric, genders may be attached to inanimate matter.
Where things are personified, we usually speak of them as masculine and
feminine; but this practice depends on fancy, and not on any fixed
rules. There is, in truth, but two genders, and those confined to
animals. When we break these rules, and follow the undirected wanderings
of fancy, we can form no rules to regulate our words. We may have as
many fanciful ones as we please, but they will not apply in common
practice. For example: poets and artists have usually attached female
loveliness to angels, and placed them in the feminine gender. But they