But in her cheek distemper flushing glowed. --MILTON (ix, 886).

only with this difference, that the Italian Eve adds a half-lie by way
of explaining the change:

. . . Forse cangiata (del che non mi avveggio)
Sono nel volto per la tua partenza.--(p. 89).

In both poems Sin and Death reappear on the scene after the transgression.

The flight of Innocence from earth; the distempered lust which dominates
over Adam and Eve after the Fall; the league of Sin and Death to rule
henceforward over the world; the pathetic lament of Adam regarding his
misfortune and the evils in store for his progeny; his noble sentiment,
that none can withdraw himself from the all-seeing eye of God--all these
are images which Milton has copied from Salandra.

Adam's state of mind, after the fall, is compared by Salandra to a boat
tossed by impetuous winds (p. 228):

Qual agitato legno d'Austro, e Noto,
Instabile incostante, non hai pace,
Tu vivi pur . . .

which is thus paraphrased in Milton (ix, 1122):

. . . High winds worse within
Began to rise . . . and shook sore
Their inward state of mind, calm region once
And full of peace, now tossed and turbulent.